Garden Open Today, circa 1950
Unmounted (ref: 5675)
An original design for a sign,
watercolour and stencilled gouache on paper, inscribed verso 'Exhibition, Lucie Aldridge, John Aldridge',
22 x 29 in.
Bordered by brown scotch tape; some tears to edges.
In 1933 Aldridge moved to Great Bardfield in the Essex countryside and acquired 'Place House'. He quickly became a friend of his neighbour and fellow artist, Edward Bawden.
whose 'Brick House' was the hub of the Great Bardfield community of artists. The village hosted a series of important 'open house' exhibitions during the 1950s which garnered national press attention and attracted thousands of visitors. This 'Garden Open' design relates to one such open house event and appears to be painted on a ‘Bardfield’ wallpaper design, something which Bawden and Aldrige collaborated on during the later 1930s,
John Aldridge (1905-1983)
Aldridge was born in Woolwich, England, and grew up in a comparatively wealthy military family. After attending Uppingham School in Rutland, Aldridge studied ‘Greats’ at Corpus Christi College at Oxford University and graduated in 1928 with a Bachelor of Arts degree. After finishing university, Aldridge settled in London, taught himself to paint and held his first mixed exhibition in 1931.
Aldridge exhibited with the 'Seven and Five Society' at the Leicester Galleries from 1931 to 1933. In 1933, he presented his first one man-show at the Leicester Galleries in London and in 1934 he exhibited at the Venice Biennale art exhibition in Italy. During this period and for the rest of his life, Aldridge associated with the British poet Robert Graves and the poets and artists centred around him in the village of Deià, Mallorca. In 1933, at age 28, Aldridge, and his cats, moved to Great Bardfield in the Essex countryside and acquired 'Place House'. He quickly became a friend of his neighbour, Edward Bawden, himself a painter. The two artists collaborated in designing ‘Bardfield’ wallpapers during the later 1930s, which were distributed by Cole & Sons, a British wallpaper company. In 1941, Aldridge joined the British Intelligence Corps as an officer interpreting aerial photographs. After leaving the army in 1945, Aldridge returned to landscape painting. Although he was a skilled 'plein air' painter, many works were produced in his studio at his home; his subjects were the Essex countryside, scenes from his many visits to Italy and to Mallorca, and his much-loved garden at Place House.
Starting in 1949, Aldridge taught at the Slade School for Fine Arts of University College London, under the realist painter Sir William Coldstream. At the same time, other artists started moving to Great Bardfield, making the village a dynamic centre for the visual arts. Aldridge and his wife Lucie Aldridge (née Brown) frequently opened Place House for summer exhibitions in the village. These well-organised shows attracted thousands of art lovers. In 1955, Aldridge told an London Observer reporter that “people seem to prefer this domestic informality to galleries”. At these summer exhibitions, Aldridge exhibited his oils while Lucy exhibited her hand-knitted rugs. Although Aldridge's work was well-received, it seemed the most conservative of the Great Bardfield Artists as it possibly reflected the art scene of the 1920s and 1930s in Britain.
The early 1960s saw the Bardfield art community fragment but Aldridge would remain in Place House until his death. After his 1970 divorce, Aldridge married Gretl Cameron, the widow of his poet friend Norman Cameron. In 1980, on Aldridge's 75th birthday, London's New Grafton Gallery held a retrospective on his work. He died in 1983, his wife Gretl having deceased a few months earlier.
He was elected an Associate of the Royal Academy (ARA) in 1954 and a Royal Academician (RA) in 1963.
See all works by John Aldridge